Stendig Calendar 2027

New product

Massimo Vignelli created the Stendig Calendar in 1966. An icon of mid-century modern design, it is in the permanent collection of the Museum of Modern Art in New York. Each month is set in tightly kerned Neue Haas Grotesk, the original Helvetica, and the months alternate between black and white. The perforated sheets tear off easily at the end of each month, and past months make excellent wrapping paper.

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Details

48"W x 36"H

Materials
Offset-litho printed on 60 lb text / 90 gsm uncoated stock
Bound at the top with three metal eyelets
Notes
Can be hung via nails through the eyelets.
Made in the USA.
This product is final sale and is not eligible for exchanges or returns.
Not Included
Hanging strips. For nail-free hanging, use four 3M Command hanging strips spaced evenly along the black binding.
Designer

Stendig Calendars represent one of the most celebrated pieces of modern graphic design. Created by Massimo Vignelli in 1966, they feature bold typography, alternating black and white months, and functional perforated sheets. Still produced to this day, each calendar continues to bring museum level design into everyday living.

Massimo Vignelli was an influential Italian designer known for shaping modern graphic design through his precise, minimalist approach. His work spanned branding, signage, furniture, and product design, including the iconic 1972 New York City subway map. Vignelli believed in clarity, timelessness, and the power of simple forms to communicate universally.

Brand

Stendig Calendars represent one of the most celebrated pieces of modern graphic design. Created by Massimo Vignelli in 1966, they feature bold typography, alternating black and white months, and functional perforated sheets. Still produced to this day, each calendar continues to bring museum level design into everyday living.

Designer

Designer

Massimo Vignelli was an influential Italian designer known for shaping modern graphic design through his precise, minimalist approach. His work spanned branding, signage, furniture, and product design, including the iconic 1972 New York City subway map. Vignelli believed in clarity, timelessness, and the power of simple forms to communicate universally.